Since its birth, cinema has been intertwined with literature. While it rivals literature for artistic merit and entertainment, cinema counts on litera... (Read more)
Since its birth, cinema has been intertwined with literature. While it rivals literature for artistic merit and entertainment, cinema counts on literature for its stories and appealing narratives. Nowadays, literary adaptations have become a common and well-received form of filmmaking.
Despite being in Taiwanese, the film The Bride Who Has Returned from Hell (1965) took its inspiration not from a local story, but rather from the English romance Mistress of Mellyn by Victoria Holt, adapting its characters, language, and setting for local audiences. Combining melodrama and gothic romance, The Bride Who Has Returned from Hell exemplified how Taiwanese dialect films of the time strove to discover fresh topics and innovative elements. The Bride Who Has Returned from Hell is also enchanting in its complex characters, unconventional plots, and eerie style, as well as for its particularly standout female characters.
Women have always been a crucial element of Taiwan literature and its readership. Their importance led to a boom in the popularity of Qiong Yao’s romances in the 1970s. Where the Seagull Flies (1974) is typical of such romances: the two bourgeois leading characters hate each other in the first place, but they wind up with coming together after a series of arguments, fights, misunderstandings, and separations.
The flourishing Taiwan New Cinema of the 1980s was at the forefront of building on the social criticism and Taiwanization of Taiwan nativist literature in 1970s. The Sandwich Man (1983) was a pioneer of the Taiwan New Cinema movement. All three segments of this omnibus film were adapted from novellas by Huang Chun-Ming, an important writer of Taiwan nativist literature. Rich in humanistic concern and realistic depictions of the land, The Sandwich Man both reflects and examines Taiwan’s progress and the aftermath of modernization, industrialization, and urbanization in the early 1980s. In a similar vein, Kuei-Mei, a Woman (1985) portrays the political-economic history between the 1960s and the 1980s, the period when Taiwan gradually transformed from an agricultural industry into a modern industrial society, through the metaphor of a woman, her body, and her life. Adapted from a novella from author Hsiao Sa, this film becomes a classic of Taiwan New Cinema and the women’s film in Taiwan. The Wheel of Life (1983), an anthology directed by of Taiwan’s most renowned directors of 1970s—King Hu, Lee Hsing, and Pai Ching-Jui—was also adapted from a novella written by a female author, Chung Ling. Concentrating on a love triangle that spans the ages, it presents a concept of reincarnation which emphasizes an idea of eternity that stands in stark contrast with historical awareness and realism of In Our Time (1982) and The Sandwich Man. This juxtaposition proved a milestone in the generational shift of Taiwan cinema.
2011’s Honey PuPu (2011), directed by Chen Hung-I, was an adaptation of a book by young writer Godwind (Hsu Li-wei). Literary adaptation continues to play a key role in the works of Taiwan directors, with Oscar-winner Lee Ang helming several internationally respected adaptations that speak to the continuing importance of such works.
What is as immortal as loneliness? Towards The Completion of a Poem follows the trajectory of YANG Mu's life, embarking on the exploration of a remark... (Read more)
This film takes its title from ZHENG Chou-Yu’s renowned poem, Port of Mists. It explores a poet’s existence and his unending pursuit of th... (Read more)
He is back. The one who used to explore Sirius and travel around the world like the ancient Chinese traveler XU Xia-Ke; the crane cremator with flamin... (Read more)
Possessing prolific knowledge of Chinese literature and deep Buddhist influences, CHOU Meng-Tieh is a unique poet with a penchant for infusing classic... (Read more)
How did “Eiko” from Beijing transform into “Ms. LIN” in Taipei? LIN Hai-Yin reminiscences about her Beijing childhood in her a... (Read more)
Elephant lives in seclusion. His job as a movie projectionist even allows him to be isolated from people at work. In the outside world, the news repor... (Read more)
On Chinese New Year's Eve, elderly mother, Tsai-feng, seems to be an annoying influence. She is not asked to participate in the New Year cleaning, nor... (Read more)
Luomabike is a young fisherman from Orchid Island. His lover Lofat tells him that a priest is taking her to Taiwan to learn tailoring. They bid farewe... (Read more)
While on a train, Renpu and his father check whether the money inside each red envelope matches their list of designated names. They are returning to ... (Read more)
Amidst spectacular scenery of serene lakes and majestic mountains, Old WEI, a tough guy from Shandong, marries A-yue, a young girl from Taiwan. Howeve... (Read more)
Misuo, an entomologist, is shown a reconstruction project of an old building by her architect boyfriend. Later, images that are not part of her own me... (Read more)
Tangerine owns a super-large freezer like those in supermarkets. It was fully stocked and well organized. She wrote novels, and a story about a man na... (Read more)
As always, A-hui came to Man-mei's pub to play the Street Fighter video game choosing to play his regular Scorpio character Chun-li, who is burdened w... (Read more)
In the hazy years of her youth, 25-year-old Miea used to be surrounded by admirers, but she did not want love that was troublesome. She is dating a ma... (Read more)
Set in Japan: On a bitter cold day with heavy snow, YANG, from Taiwan, goes to a newspaper office to apply for a paperboy job. The boss states that he... (Read more)
MENG Yun-lo, a college student originally from Hong Kong, stays at a family friend’s house and falls in love with their daughter, Hang-ni. Hang-... (Read more)
Four Moods consisted of four costume drama sections on folklore. Joy by PAI Ching-Jui, features a stylized guard of ghosts that keep a watchful eye on... (Read more)
Based on ZOU Lang’s novel of the same name, Storm Over the Yangtze River is a historical film about the “Yangtze River 180 Blockade.&rdquo... (Read more)
Raised in a strict family, YANG falls in love with a college student, LI, but she yields to her parents’ marital arrangement. Several years late... (Read more)
A-Cheng falls in love with Hsiao-hui, a beautiful prostitute who sells herself to a brothel to pay off his debts. On the run from both criminals and t... (Read more)
The film probes the mind of WANG Wen-Xing, the modernist pioneer who is long considered Taiwan's most enigmatic novelist. Writing only about 30 charac... (Read more)
A dark and poetic comedy, 7 Days in Heaven centers on one woman's experience of the death and funeral of her father. Mei, resolutely urban, makes her ... (Read more)
The happy lives of the forest animals are shaken by a sudden attack by a pack of wolves. Uncle Deer comes to the rescue, asking Birdy to notify his so... (Read more)
Two drama troupes happen to have to share the same auditorium for their rehearsals, and thus three stories intertwine on stage and screen. One is the ... (Read more)
Adapted from novelist Huang Chun-Ming’s three short stories: “The Sandwich Man”, “Vicky's Hat”, and “The Taste of ... (Read more)
Handsome journalist Muhuai meets three mysterious girls who look completely the same and who vanish right after he falls for them. In Hong Kong, she i... (Read more)
Yi-Ming employs Sui-Mi as his daughter’s tutor. When Sui-Mi arrives at Yi-Ming’s, she finds herself in an aristocratic mansion. Yi-Ming&rs... (Read more)
Jointly and respectively directed by King Hu, Lee Hsing, and Pai Ching-Jui, three major Taiwan directors of the 1970s, this film consist of three shor... (Read more)